My short story “Fuck You Pay Me” is now available in Reckoning 3! Reckoning is a non-profit journal that publishes poems, artwork, stories, and essays about climate change and environmental justice. My writing aside, you should absolutely check them out. They do fantastic work and support a broad range of artists, and I’m thrilled to be included in this year’s issue.
As for my story, “Fuck You Pay Me” is a story about two high school seniors who will be graduating soon, facing a world severely effected by climate change, and watching their opportunities dry up before their eyes. So, using an accountability AI to calculate the dollar amount that they are owed by the world, given the damage that climate change has done to them, they decide to balance the scales of climate justice and rob a wealthy family. Other stuff happens, and it takes place around Christmas, so it’s a perfect story for the holidays!
Currently you can buy an ebook of Reckoning 3 here. If you can’t spare the seven bucks right now, everything in Reckoning will be published online over the next six months, so you’ll be able to read my story free in April 2019—and if you want a physical copy, tthose will be available in June 2019.
Just as I did last year, here are two collections of all the plays I published in the past year, and all the short stories I published in the last year. I’m now less enamored of the idea of this being a “complete works” series, for various reasons which I explain in the forewords of these anthologies. Mainly, what does “complete” even mean? Regardless, these collections really do have all the pieces I self-published while I was 20, and all the afterwords I published with them. And I will continue this series, because I like having a cheap way for people to buy my stuff—the collections just might always not be annual, or they might not always be “complete.”
20; Two plays and a monologue contains Suggest the Empire, Chimaera Cries ON STREAM!!!!!, and Tallahassee Ca. 2045—including a brands new afterword for Chimaera Cries ON STREAM!!!!!! You can get it on Smashwords or Amazon.
20; A collection of short stories contains “A Clash at Grozny Airfield,” “The Wisdom-Goddess Star,” “Beneath Them,” and “ChannelCon ’30.” You can get it on Smashwords or Amazon.
I wrote this post before Ursula K. Le Guin passed, though it seems fitting now to open it with these words of hers, in response to the question, “What do you want to happen to your books after you die?”: “I want them to be available, I want cheap paper editions of them, I want them to be continuously downloaded in forty different languages, I want them to be read, I want them to be argued about, I want people to cry over them, I want unreadable dissertations written about them, I want people to get angry with them, I want people to love them.” Well, I’ve read a second-hand cheap paper edition of The Left Hand of Darkness, gotten angry with it, kind of loved it in a few moments, argued about it (in my head, with myself and with two different versions of Le Guin), and now, behold, an unreadable dissertation blog post. Hopefully, this is exactly as Le Guin would wish. Rest in peace.
The Left Hand of Darkness is one of those books I’ve always felt silly for not having read—and likewise, Ursula K. Le Guin is one of those authors I’ve always etc. Not just because Left Hand is considered a classic, and Le Guin one of the greatest, most influential sci-fi/fantasy writers, but because it’s the kind of sci-fi and fantasy that really interests me. Sci-fi with a focus on society, on the world, on characters. Not to mention, the gender thing—I’ve always heard that Le Guin is a great feminist writer, someone who subverts and challenges our ideas about gender, and especially about women. And Left Hand is, of course, the gender book—or the book without gender. A world where the dominant sentient life-form has no biological sex—fantastic. I’m always interested in that kind of premise, I always like to see deconstructions and reconstructions of gender. Yet, I somehow never got around to reading it, I always had some other book or author I was more interested in. I finally decided to read the book when I got it in a white elephant gift exchange, and, for months, had the physical copy sitting about in my bedroom somewhere, staring at me.
So I read it. One less thing to feel silly about Francis, good job. After reading it, and kind of wondering what everyone else saw in it re: the discussion of gender, I read Le Guin’s essay on the book, “Is Gender Necessary?” Actually I read the “Redux” version, which was written over a decade later, with annotations from Le Guin clarifying and arguing with her past self. In some ways, the redux essay is a revisiting of a revisiting—Left Hand came out in 1969, “Is Gender Necessary” (henceforth to be referred to as IGN) in 1976, and the redux in 1988. Which would make this blog post a commentary on a commentary on a commentary on a book, at least in some part.
I’ve struggled with how to write this post. It seems unfair to review the book as if its some kind of argument—in fact, Le Guin herself mentions this in “Redux,” when she writes that “critics of the book insisted upon talking about its ‘gender problems’ as if it were an essay not a novel.” That line instantly made me think of “Cat Person,” the Kristen Roupenian short story that made the rounds last year, and which was bizarrely referred to as an “article” or “essay” by some. These stories did not ask to be scrutinized as perfectly hygienic arguments about gender and sexuality. The idea that Left Hand is an incredible classic which strikes right to the heart of gender politics is external to the book. So I’ll do my best to separate the two, to review the book as just a book, before specifically going into why I found it lacking in terms of gender commentary.Read More »
I’ve just published “Beneath Them,” a short story available on Smashwords and Amazon.
In this piece of flash fiction, without warning, thousands of alien spaceships have appeared above major urban areas around the globe, and some have descended to devastating effect. Although the aliens have expressed a lack of ill intentions, and a desire for “recreation,” no one really knows what they are doing on Earth. The only thing that is clear is their overwhelming power, and their overwhelming intelligence.
In the shadow of this invasion, life goes on as Atlanta resident Cheyenne, and her younger cousin Denise, deal with roaches in their apartment.
Also included in this publication is a brief afterword, in which I describe my own encounter with a cockroach which inspired this story.
Merry whatever and joyous thingummy everyone! All of my ebooks are on sale on Smashwords for the month of December! Most of them are 50% off, and the newer releases (19 and 19, “A Clash at Grozny Airfield,” and Suggest the Empire once it’s published later this month) are 25% off. And “Just Dig” is 34% off. Cause it wouldn’t let me do 50%, cause the price is already almost at the minimum.
In Grozny, the first ever all-robot military unit fights an integrated army of humans and robots. The clash is viewed by five American travelers in an airport café—a veteran, a journalist, two young sisters, and a barista—as the events unfold on TV. Each traveler has a different connection to the distant battle, and they all watch with more and more rapt attention as the integrated forces close in.
Also included is a brief afterword about how I came to choose the setting of the story and write that Chechnya post, and the meaning of the acronym ITF.
These aren’t really new—but the format is! Now you can get all the plays I’ve published this past year, or all the short stories I’ve published this past year, in one collection. The plan is to do this every year, with the titles corresponding to my age when I published the stories. Like a Complete Works series, but being put together contemporaneously.
19; A collection of short stories includes “Just Dig,” “The War on Hormones,” “De.mocra.cy,” “Grumbles,” “Boom Town,” and “Calamcity,” as well as all the afterwords I wrote for those stories. As always, you can get it on Smashwords and Amazon.
19; A collection of plays contains Beach Realty of Sandcastle Isle, He Molested Kids, Monastery, and We’ll Tell Happy Stories, and the afterwords I wrote for those plays. Available on Smashwords and Amazon.
This was originally a writing exercise for my Foundations of Creative Writing class. I revised it a few times for that class, and I’ve toyed around with posting it here. Now, with the publication of “Calamcity,” I can leverage it into a promotional tool for that novelette, so it’s like I’ve got to publish it now, right? So, here it is:
The Forgotten Coast
I finally went on one of those kitschy submarine tours around the sunken wreckage of Pensacola and PCB and the Forgotten Coast. Hurricane Erica wrecked the shop, so I’d been sitting around waiting for the insurance company to get back to me, to see whether I was finally down the drain after circling it so long—and I saw an an ad with a coupon code for the Forgotten Coast tour. A few years ago, Jesse had really wanted to go on it, just before her, Ed, and their kids moved inland, but I’d been sick. Not sick enough to not go, but I’d played it up like I was. I always knew that I could go to the coast whenever I wanted, so I never felt any urgent pressure to do so. It was all flooded already, a few years’ more sea-level rise wouldn’t change that. And the ruin-porn aspect of it chafed at me. I didn’t want to sit in a sub with a bunch of inlanders gazing in awe at my ravaged childhood like it was a disaster movie.
But I saw this ad with a coupon code, and I was doing nothing, and I had this strange feeling like maybe, with the shop in shambles, I would finally be moving inland like my family and friends had done years and years ago, and maybe this one stupid coupon was meant to be my last chance to see the coast—so I bought the discounted ticket. I took a bus down from Tallahassee to Milton, now a coastal town. It was mostly tourists getting onto the sub (I could tell by their clean, uncorrupted northern English and pale skin) and a handful of local kids with red-brown tans. At least, they looked like kids to me. Teens, early twenties, late twenties—kids.Read More »
We’re well into summer now, so I’ve just published a summery novelette about a topic that I just can’t leave alone: climate change in Florida. A couple years ago, I posted twopieces of research on beach nourishment—that research was done for this story.
“Calamcity” is set in a not too distant future, when beach erosion has accelerated dramatically due to rising sea levels and increased hurricane activity—but a new breed of bioengineered living shorelines appears to be a perfect solution to hold sand in place. To oversee a test-run of this technique, Joseph Lopez joins his brother Steve on Cape Dodd, a Floridian beach that has been battling erosion for years under Steve’s management. Joseph just wants to bring back the large, stable, sunny beaches of his youth, and provide a nice vacation house for his aging parents. But as Joseph and Steve find, Cape Dodd is in for a rough summer of constant hurricanes and mysterious mass die-offs of the living shoreline.
Also, I’ve just released the audiobook for “De.mocra.cy,” a short story about symbolic protest, gangs, and regulation in a democratically run MMO. The audiobook is written and performed by me, so if you enjoyed my production of The Absolute at Large, you should enjoy the performance of this story. The audiobook is available for digital download on CDBaby, on Audible and iTunes. You can listen to a sample of the audiobook in the video below. And you can listen to some outtakes and moments of silliness from the recording session in the video below the video below.
It’s summer now—I just finished my sophomore year of college, and high school students around the country are wrapping up their spring semesters—so here’s a novelette about high school, half of which I wrote during my senior year of high school, and half of which I finished after graduating. You can buy it on Smashwords or Amazon. Here’s the synopsis:
In the near future, bioengineering companies create neutralizers—unicellular organisms that can destroy sex hormones in the brain, hopefully improving the academic dedication of students. Silver Path, a new performing arts school, is a pioneer in requiring that its students be neutralized. This kind of environment is perfect for Edward Warwick, a 12th-grader intensely dedicated to acting, and intensely wary of romantic distractions. But over the course of his senior year at Silver Path, it becomes clear that there are many hormones other than testosterone and estrogen, and making it out of high school without any drama may not be as easy as a monthly neutralizer check-up.
The publication also contains an afterword in which I describe how my own final year of secondary education directly lead to, and provided fodder for, this story.
I’ve just published “Boom Town,” a short story available on Smashwords and Amazon.
The story takes place in a small town on the living planet of Eltru, when a vast reserve of fuel is discovered beneath the town. Katherine, a young girl whose family lives on a spice farm over the fuel reserve, quietly observes her parents as they struggle over whether or not to sell their land to a mining corporation, and move away from their home. She relies on her close relationship with her brother to help her understand the secret conflicts and tensions between the adults, and ends up keeping some dangerous secrets of Julian’s herself.
The publication includes an afterward where I describe how subscribing to Asimov’s influenced the story, and my writing sensibilities as a whole.
I’ve just published “Grumbles,” a short story available on Smashwords and Amazon.
The story is told by Claudio, who returns to the house of his uncle Terrance, one of his many guardians during his tumultuous childhood, to decide what memorabilia he wants to take with him on his move to the asteroid belt. As he sifts through old scrapbooks and toys, he re-discovers “Grumbles,” a robot companion from his adolescence with an acerbic, sardonic attitude. Space is limited on the shuttle out to the belt, so Claudio and Grumbles argue heatedly about which objects are worth taking, and which items present a distorted recording of the past.
The story was originally published in Kzine, and you can still purchase the issue it appeared in.
So Francis, why should I buy this thing, when I can buy another thing, which has the first thing in it, as well as other things for no additional cost?
Because you love me? Also, because this publication includes an afterword describing the origin of the story, the process of editing it, and some of my own memory-recording habits.
As of today, it’s Read an Ebook Week, so all my ebooks are on sale for 50% off on Smashwords, and my play We’ll Tell Happy Storiesis available completely free! From March 5-11, you can use coupon code RAE50 to get 50% off any of the ebooks, and coupon code SFree to get 100% off We’ll Tell Happy Stories.
I’ve just published He Molested Kids, a short play available on Smashwords and Amazon.
In this fifteen-minute play, four college students meet to plan a party, and end up sidetracked by an argument about the savior of the world. Just a few months after he defeated the Himalayan, allegations of sexual abuse have emerged around Dawa the Savior. This issue turns from small talk among a group of friends to an explosive argument with deep implications.
The publication includes an afterword in which I discuss the origins of the idea, and how my intro to political analysis class factored into it’s outlining.
I’ve just published “Just Dig,” a short story, available on Amazon and Smashwords. Here’s the synopsis:
Two brothers, asteroid prospectors, are awoken when an asteroid lands somewhere along the boundary between their little plot, and the enormous plot owned by their neighbors. They drive out to see on whose plot the rock has fallen, and who can claim it as theirs to sell. As they do, they argue about whether they can depend on luck to end a long dry spell, or if they’ll have to make their own luck to turn a profit.
Also included in the publication is a brief afterword, in which I explain the origins of the story, the edits it went through, and who won the 2014 FSU vs. Notre Dame football game.
Here we go with my first self-published prose piece! It’s a short story about a democratically run MMO. You can buy it for half price (more about that below) on Amazon and Smashwords. Here’s the synopsis:
Volt is the leader of the Anarchists, an official gang on the De.mocra.cy server. In a near-future internet filled with highly regulated, highly restrictive MMOs, the De.mocra.cy server is entirely self-regulated, affording unprecedented freedom of speech and freedom of violence to its users—until now. A new law has outlawed violence between consenting parties, and Volt must mobilize a fractious group of gang leaders to campaign against it—and, unbeknownst to them, to challenge the Unwritten Amendment.
Also included in the publication is an afterword, in which I discuss some of what I mentioned in my post about limits, as well as where the idea for the story came from, and what “–> <— vs. <– –>” means.
In addition to publishing this, I’ve set all my ebooks to half price, at which price they shall remain until the end of December. You can find them all on Smashwords and on Amazon.
Merry Christmas, happy Hanukkah, joyous Kwanza, and just good job being a human, everybody!
A couple decades in the future higher education has evolved, and Academic Campuses (sometimes referred to as “monasteries”) offer an affordable, though longer and more intensive, alternative to universities. In this hour-long play, the student editors of the Marietta Academic Campus’s literary journal, The Mac, meet just before the start of summer to finish up the latest issue, and to celebrate their success. As the play continues, a hypothetical conversation about graduating early and starting up a magazine outside the monastery turns into a spirited argument.
As usual the publication includes an afterword. In this one I describe my own arguments with myself about college, and my outlining process for the play.
Whew. It’s been awhile since I did one of these, but here goes.
Lagoon by Nnedi Okorafor – Lagoon is a book about Lagos, Nigeria, and what happens when aliens arrive there. It’s a sprawling portrait of the city, its people, its landmarks, and the ecosystem it was built around. It focuses most on three individuals—a marine biologist, a soldier, and a rap star, who all find themselves wandering out to the beach shortly after the aliens arrive, and being sucked into the lagoon.
The book has an enormous ensemble of characters, and still manages to have all of them distinct enough that you can keep track. It also does an excellent job of describing the city, which becomes even more important as the book goes on, and parts of the city literally come alive. The story twists and turns without a clear direction, but it’s a lot of fun following those twists, and the book is constantly introducing new and interesting characters and ideas. A testament to how well characterized everything in his story is—it’s been over three months since I listened to it, and I can still remember multiple characters and events that are only mentioned in a single chapter.
Also I listened to the audiobook of it, over the course of the long drive from Iowa City back to Tallahassee, and the narrators (a male and a female) are fantastic.
Seriously though, as I write this description, I keep remembering characters and details from the book, like the guys running 409 scams, and the rapper from Atlanta, and the fantastically entertaining and dislikable preacher. That’s because it’s awesome. Nnedi Okorafor is awesome. Check this book out.Read More »