PROFESSOR BRIAN: A ver. ¿Qué hacemos el viernes?
El viernes entregan la primera versión de su proyecto final, ¿no?
Pues, esta fecha límite …
yo la puse para ayudarles.
Eso es, no es para torturarlos.
si quieren … podemos …
extender la fecha límite, y pueden entregar su ensayo el lunes después de la vacación.
I’ve been super busy these past two weeks, so there’s no new L.Y.C.C. post today. Maybe I’ll make up for it with more comics later, IDK. For now though, I still wanted to put something up, so here’s all my drawings from Inktober 2018! There was basically no way I could do very involved drawings every day for a month, but I really wanted to do Inktober, so this is the solution I went with. I didn’t actually follow the Inktober prompts, and instead drew a whole range of different stuff that I wanted to draw. Fun game: see if you can tell what any of the drawings are!
Not strictly a “Last Year” comic, since it’s about when I studied abroad last spring, but this past week I’ve been finishing up the travel memoir I wrote about that semester abroad, so it’s kind of topical.
Okay, so this one is actually from my Junior year, while I was studying abroad in Spain, but I’m posting it because it uses a quote from Great Expectations, which book I’m posting a review of on Friday. So it’s all justified, I figure.
TEXT: I’m so happy to be back here. Because I was in Spain last Semester, it’s been 9 months since I’ve been in Iowa City, and I just can’t stop grinning.
Our place feels more lived in. Messy, but bustling.
The wifi name has changed, but the password is the same.
And our balcony… has even more plants!
FRANCIS: Oh my god!
TEXT: Some things, inexplicably, have stayed the same.
FRANCIS: This is my last year of college, and I regret that I haven’t done much journalling during my college years (aside from my semester abroad.) So in the interest of documenting this era of my life, improving my drawing and comicking skills, and generating some scrumptious c o n t e n t, I’m going to put out a weekly autobio comic all throughout my senior year!
The comic will run from this week to May 17. It will post at least once each week, sometimes twice, depending on if I’m posting something else that week.
Most comics will be better than this one. Whatever. I’m still getting my bearings here.
Splendor and Misery by Clipping — So I’m late to the party on this, but better late than never, right? Splendor and Misery is a sci-fi concept album by experimental hip-hop group Clipping—already, what’s not to love? The album follows the lone survivor of a slave uprising aboard a spaceship, who commandeers the vessel and attempts to escape his pursuers.
What I love about this album is the way it blends ideas and styles. For a start, it’s fascinating to see how Clipping renders common sci-fi motifs musically, making them fresh and fascinating again. It’s not just an album that utilizes sci-fi jargon and aesthetics (though it does that as well), it’s an album that is clearly born from an understanding of the genre and its tradition. A great example of this is the track “All Black Everything,” which communicates the oppressive nothingness of space through it’s skeletal production and Daveed Diggs’s continuous, monotone refrain of “All black everything.” The album also blends different musical genres, mixing in negro-spiritual-inspired songs, blending past and future to create a gritty world that’s nevertheless full of emotion, and deeply human.
Sci-fi aside, the production on the album, by William Hutson and Jonathan Snipes, and Daveed Diggs’s rapping are just fantastic. The beats manage to suggest the environment, with beeps and clicks and staticky whines, while also effectively establishing different moods for each song. Diggs’s lyrics are great, punchy and complex, and his flow is phenomenal. Splendor and Misery really shows the range that this group has, from songs like “Air ‘Em Out,” a braggadocious gangster-rap-in-space type track, to “True Believer,” a song with a driving industrial beat, a spiritual-inspired chorus, and some wildly imagistic verses detailing a creation myth that offers some clues as to how these people have ended up enslaved.
The album is short, and has a lot to offer with each replay.
The Terror— This AMC series just wrapped up a few weeks ago and my god did it stick the landing. I love a good, one-season series, and The Terror does not disappoint (it may come back for a second season, though with a completely different story, American Horror Story-style.) The show, David Kajganich’s debut as a show-runner, is based off the Dan Simmons book of the same name, which tells a fictionalized account of the lost Arctic Expedition of Captain John Franklin. What little is known about the expedition’s fate after becoming trapped in the Arctic ice in 1846 is faithfully reproduced, and indeed everything that happens in the show could’ve plausibly happened in real life—except, that is, the strange, enormous bear (is it a bear?) which seems to dog the sailors wherever they go.