Last Year Comic Chronicle 34: Afterword

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This is the last one! More info on what’s next for the blog below!

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Transcript

This is the last Last Year Comic Chronicle comic. I really can’t outdo the thematic weight of L.Y.C.C. 32 and 33 here, so I won’t try. I have no big concluding revelation for you.
All I can say is, first, I think L.Y.C.C. has been successful. Everything important from this past year of my life, from college in general, has made it in here somehow. Wait.
Okay there, now its all in here.
And second, thank you for reading! This is the most transparently personal work I’ve ever published, and I’ve cherished all the support and enthusiasm you’ve shown me.
So let the last words of the Last Year Comic Chronicle be, yay!, thanks!, and The End.

Blog housekeeping: Whew! That was a lot, huh! I may end up releasing an ebook version of LYCC with some extra stuff, or this may be its final form. Regardless, what’s online now will always be available for free, and I will hopefully do more sequential art stuff sometime in the future. That could mean a year from now, or five, but it’s definitely something I’ve enjoyed, so yeah. This isn’t the last of my comicking! I may also post sort of doodley little one-off autobio comics and drawings on twitter from time to time? so maybe follow me there? And in case you missed it, I posted the proto-version of LYCC up there a couple months ago, so you can check that out if you want a little more autobio comic content right now.
As for the blog itself, it will be on hiatus for the next couple months, and will return August 2nd with the project we’ve all been waiting for: the second half of The War of Paraguay! A heads up, finishing TWOP is the last major series I have planned for this blog, after which weekly updates will stop and new posts will only show up sporadically for the indefinite future. So yeah, that’s what’s coming down the pipeline. Thanks again for reading, and stay tuned for some 19th century Rio de la Plata war and diplomacy content!

Review: Imagine Wanting Only This by Kristen Radtke

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untitled
Cover courtesy of pantheon

Agggh! This book has sat on the floor of my bedroom since September of last year—basically for my entire senior year thus far—going unread! I made one cursory pass at it sometime during the fall semester, wasn’t really hooked by it, was kind of put off by the art style, and then abandoned it. Well, good thing I didn’t just return it to the library, because now I have read it, and it’s fantastic. (SIDENOTE: I am not a monster. Although my honors student status allows me to check out books for the entire school year without having to renew them, I normally don’t do so unless the book a. is incredibly obscure and clearly not in any demand or b. has multiple copies available. Radtke’s book [probably because she got her MFA here] has multiple copies at the UI library.)

Imagine Wanting Only This is a graphic novel memoir mainly focusing on a period of Kristen’s life starting with her undergrad career and ending shortly after leaving graduate school and moving to Louisville, Kentucky—the “stuck in them 20-somethings” period of life, to borrow a phrase from SZA. As the book moves between major decisions and life events in these years—moves, break-ups, illnesses—Radtke returns again and again to the themes of loss, deterioration, decay, the desire for something more, something new—and the way all these things conflict within her. Is it possible to hold onto the old and gain new relationships, new experiences? Is it possible to hold onto anything at all, when everything is so transitory? What is the value of preserving a ruin versus letting it fall into rot? The strongest through-line of the book is ruins. The urban decay of Gary, Indiana, the devastation of the Peshtigo fire, the volcanic destruction of a town in Iceland, even the mold and water damage in Kristen’s sad college apartment. These images hold the book together, link one event with another, and keep the book feeling cohesive despite the lack of any straight-shot plotline throughout the whole story.

I think one of the things that initially put me off about the book was Kristen and her boyfriend Andrew acting like such creeps (“Really, you can’t say the word ‘yes’ without invoking James Joyce,” Andrew opines at one point), and being unsure whether or not I was supposed to relate to them and feel like their grody behavior was romantic. Because I know these students, anyone getting a liberal arts education knows these students, and they’re the kind of students who I don’t care to be around because I can’t connect with them through their wall of irony and aggressively performed insightfulness. That said, it pretty quickly becomes clear that no, Radtke is not trying to romanticize (for example) the way these two descend on Gary, Indiana in the most exploitative, ruin-pornographer manner. It also becomes clear that a lot of their pretension and surety about the world is covering deep insecurities and internal tensions, which allowed me to relate to them in a way I’m sure I could never, I’m sure they would never let me, if I met them when they were that age at UIowa.Read More »

What I’ve Been Reading, April 2019

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Been a while since I did one of these, I guess because I’ve been reading lots of short stories. Anyway, here’s what all I’ve been reading the past few months (my god it’s been four months since I read Heavy where did the time go I’m about to graduate aaaaaaaaaaaaaaaa.) Also, I recently read Imagine Wanting Only This by Kristen Radtke, which I had a lot to say about, so that’ll be posted as its own review a few days from now.

Heavy by Kiese Laymon — As the subtitle describes it, Heavy is “an American memoir,” following Kiese Laymon from his childhood up to his early adulthood, returning again and again to themes of abuse, education, body image, racism, and America.

Incredibly, even with these heavy themes, whenever I started listening to this book, I just couldn’t stop. I even listened to it on my airplane ride from Cedar Rapids to Atlanta! Let me tell you, on airplanes I only ever listen to podcasts, or music. Stuff that does not require a lot of cerebral commitment. But when I ran out of saved podcasts, I started listening to Heavy, and the hours just flew by.

Part of the engrossing pull of this book may have to do with how novel-like it is. It’s composed primarily of scenes, scenes that are fully fleshed out with long stretches of vivid dialog, and intriguing, instantly identifiable characters. And the narrative voice shifts to fit the different phases of Kiese’s life. There’s no sense of retrospective distance between the narrator and the events he’s describing, and the result is that as a reader you can be fully immersed in these remembered moments as they play out. That said, Laymon still manages to address more abstract ideas—the book is not just a series of things that happened, it does also pull revelations out of those events, which steadily accumulate and build on one another throughout the book. As I said, it is novel-like, and the novel that it is like is a novel which expertly joins theme with narrative, emotions with ideas, character with critique.Read More »

Last Year Comic Chronicle 26: Zeno’s Paradox

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Transcript

TEXT: Dichotomy Paradox: If something is to move 1 meter, it must first reach 1/2 a meter, then 3/4, then 7/8, then 15/16, and so on.
That’s how I feel about the end of college.
After 17 years in school, I’m finally leaving. And I keep thinking, damn, it’s really almost over, and yet it’s still not over. I keep reaching new halfway points, and it feels like the end will never arrive, and I’ll go floating through this parade of ever more awkward fractions forever.

TEXT: But Zeno’s paradox is solved. And though I don’t understand the solution, I know how to walk 1 meter.
I don’t understand the solution to reaching graduation. I have trouble imagining myself as a 30-year-old, a 25-year-old, a 22-year-old. And yet, I know, with factual certainty, that that’s where I’m going.

TEXT: I made it to the start of junior year, to the start of senior year, the 2nd semester, and now to Spring Break, which I’m guessing will be followed by a rapid drumroll of weeks I can hardly get a handle on until graduation.

TEXT: Last year last year last year.

TEXT: I don’t even know how to end this comic see how bad at endings I am hahahahaha.
Heh.

New Publication: The Ones I Used to Know in some scripts

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Screen Shot 2019-02-02 at 11.33.51 AMMy short play The Ones I Used to Know is now available in the inaugural issue of some scripts! I’m so happy to have been included in this project, a magazine founded on the idea that scripts have literary merit, and can be enjoyed and appreciated even in their purely textual form. I’ll refrain from going into my full rant on the importance of reading plays, but basically the core ethos of this magazine is right in line with how I feel about scripts and screenplays as textual objects, and I’m as excited to be published in it as I am to read all the other contributors’ works.

My play is a ten-minute piece about climate change and Christmas music, set in a small town in Iowa. I realize this sounds awfully similar to “Fuck You Pay Me” but 1. Yes, and 2. They are actually quite distinct, and 3. You should check it out anyway!!!