New Publication: “The Hilarious Inside Joke of Our Overwhelming Melancholic Nostalgia” in Solarpunk Magazine

My story “The Hilarious Inside Joke of Our Overwhelming Melancholic Nostalgia” is in the inaugural issue of Solarpunk Magazine, just published today! Solarpunk Magazine is a new magazine publishing writing and artwork that grapples with climate change and “demand[s] utopia.” The first issue is extra-large, with 6 short stories, 3 poems, and 4 nonfiction articles. It even includes an interview with Kim Stanley Robinson! You can purchase it here. EDIT: You can also read or listen to my story online here!

My story is set in a future Florida radically changed by climate change, where “Crimes Against the Future” are punished by implanting memories of the world before, the world lost to rising sea levels and changing ecologies. Kyra, whose older brother has been punished in this way so many times that the implanted memories have become permanent, wants to commit a crime so she can know what the old world was like herself.

New(ish) Publication: Classic Cage

In honor of Public Domain Day, I’m ceding my play Classic Cage to the public domain! Classic Cage was produced by Theatre Cedar Rapids as part of the 2019 Underground New Play Festival, and later published in issue 3 of some scripts. And now it’s free for all to read, modify, and perform! Nota bene, this play could very easily, minimally, be adapted to be performed over zoom, since it already takes place entirely through video calls—that’s right, I wrote a zoom play before it was cool!

Here’s the synopsis:

Tara Cage is struggling to sell her next book. Publishers on Mars want another of her cheerful, optimistic Earth travelogues, the ones that made her so popular, but things have been getting bad on Earth. Climate change and economic upheaval have made Tara a lot more cynical, and sick of selling Mars a whitewashed version of her home planet. Her sister and literary agent, Michaela Cage, tries to grease the wheels with a potential publisher by getting a realtime FTL video connection between them on Mars and Tara on Earth. Unfortunately Tara’s internet connection has been screwy, making the video chat’s predictive AI patch over moments of lag with an AI version of Tara, compiled from calls made by Tara the last time she used it—which was twenty years ago. Between the upbeat, cheerful robo-Tara, and the true, jaded, bitter Tara, the publisher is getting mixed messages—though the AI seems to be making a better impression than Tara herself.

Classic Cage is a play about public personas, optimism and pessimism, and the reconciling of youthful dreams with present realities.

Running time is approximately 40 minutes. The cast is 3F, 2M.

You can download the play in the following formats: PDFEpubMobiDocx. If you really want to pay me for it, you can set your own price for it on Smashwords.

I’ve also written a post for Public Domain Day, about the Public Domain Review, which you can read here.

New Publication: Classic Cage in some scripts Issue 3

some scripts issue 3My one act play Classic Cage is available in issue 3 of some scripts, their climate change-themed issue! The issue is available to read free for the next month, until June 11th, here. Here’s the synopsis:

Tara Cage is struggling to sell her next book. Publishers on Mars want another of her cheerful, optimistic Earth travelogues, the ones that made her so popular, but things have been getting bad on Earth. Climate change and economic upheaval have made Tara a lot more cynical, and sick of selling Mars a whitewashed version of her home planet. Her sister and literary agent, Michaela Cage, tries to grease the wheels with a potential publisher by getting a realtime FTL video connection between them on Mars and Tara on Earth. Unfortunately Tara’s internet connection has been screwy, making the video chat’s predictive AI patch over moments of lag with an AI version of Tara, compiled from calls made by Tara the last time she used it—which was twenty years ago. Between the upbeat, cheerful robo-Tara, and the true, jaded, bitter Tara, the publisher is getting mixed messages—though the AI seems to be making a better impression than Tara herself.

Review: Chernobyl

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Promotional image courtesy of HBO.

Lately, I’ve found myself very attracted to stories about massive mobilization to prevent some existential threat (mostly sci-fi stories about sci-fi threats.) Organizations, especially governments, doing what needs to be done, surviving by the skin of their teeth, saving the world from crisis through collective, concerted action. (Gee I fucking wonder why that would be so appealing to me anyway its hot out here.) So yeah, I liked Chernobyl a lot.

Chernobyl is an HBO miniseries created by Craig Mazin and starring Jared Harris, Stellan Skarsgård, and Emma Watson, about the aftermath of the Chernobyl nuclear disaster, and the effort to contain the catastrophe. So it’s not really a story about stopping a catastrophe, but rather stopping a catastrophe from becoming a thousand times worse. Before watching this show, I had no idea how bad the Chernobyl incident was, much less how bad it threatened to become, but holy shit. Essentially, the show has built-in escalating stakes. First they have to just stop the fire, but once they’ve done that they’ve got to keep the meltdown from setting off a thermonuclear explosion, then they’ve got to keep it from reaching the groundwater that millions of Ukrainians drink from—there’s always another crisis around the corner, each problem causes its own problems, and so does each solution. An unending parade of “no, and” and “yes, but.”Read More »

New Publication: The Ones I Used to Know in some scripts

Screen Shot 2019-02-02 at 11.33.51 AMMy short play The Ones I Used to Know is now available in the inaugural issue of some scripts! I’m so happy to have been included in this project, a magazine founded on the idea that scripts have literary merit, and can be enjoyed and appreciated even in their purely textual form. I’ll refrain from going into my full rant on the importance of reading plays, but basically the core ethos of this magazine is right in line with how I feel about scripts and screenplays as textual objects, and I’m as excited to be published in it as I am to read all the other contributors’ works.

My play is a ten-minute piece about climate change and Christmas music, set in a small town in Iowa. I realize this sounds awfully similar to “Fuck You Pay Me” but 1. Yes, and 2. They are actually quite distinct, and 3. You should check it out anyway!!!

New Publication: “Fuck You Pay Me” in Reckoning

reckoning-3-cover-draft-2-webMy short story “Fuck You Pay Me” is now available in Reckoning 3Reckoning is a non-profit journal that publishes poems, artwork, stories, and essays about climate change and environmental justice. My writing aside, you should absolutely check them out. They do fantastic work and support a broad range of artists, and I’m thrilled to be included in this year’s issue.

As for my story, “Fuck You Pay Me” is a story about two high school seniors who will be graduating soon, facing a world severely effected by climate change, and watching their opportunities dry up before their eyes. So, using an accountability AI to calculate the dollar amount that they are owed by the world, given the damage that climate change has done to them, they decide to balance the scales of climate justice and rob a wealthy family. Other stuff happens, and it takes place around Christmas, so it’s a perfect story for the holidays!

Currently you can buy an ebook of Reckoning 3 here. If you can’t spare the seven bucks right now, everything in Reckoning will be published online over the next six months, so you’ll be able to read my story free in April 2019—and if you want a physical copy, tthose will be available in June 2019.

Happy Holidays all!

New Publication: Tallahassee Ca. 2045

Remember this post about the Parkland shooting and representation of high schoolers? The play I was talking about back then is now available, on Smashwords and Amazon.

Tc2045-c-2In the year 2045, a group of politically conscious high school seniors decides to organize a youth rally—a protest to lower the minimum voting age. Just before the protest is scheduled to happen, a massive ice sheet breaks off of Antarctica, causing global flooding. The youth rally becomes a demand for radical change of climate policy, and the politics of the students are put under new pressure. Relationships between the original group of friends strain as the protest grows further and further out of control, and any hopes of changing the world look dimmer and dimmer.

Tallahassee Circa 2045 is an exploration of protest culture, shifting ideologies, and the intersection of youth and politics, set against the backdrop of global catastrophe and an ever-shifting national landscape.

Running time is approximately 120 minutes. The cast is 1M, 5F, 3NB.

In addition to the play, this publication includes an afterword (a large part of which already appeared on this blog in that MSD post) which constitutes an in-depth look at youth rights, representations of high schoolers, and the politically tumultuous period in which the play was written.

Happy summer everyone! #HotOutHere

Representations of Kids, Politics, Apocalypse, MSD, Tallahassee ca. 2045

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Last week there was a school shooting in Parkland, Florida. Following the shooting, many of the survivors—high schoolers—have come together to voice their outrage at the current state of gun regulation in America, spearheading a movement to pass better gun control laws, with the hope of preventing what happened to Marjory Stoneman Douglas High from ever happening to another American school. You can find out more about their cause here.

Just days before the attack, I began editing and writing the afterword for a play I wrote last year, Tallahassee Ca. 2045. In the play, a group of high school students (heavily inspired by my own very politically conscious friends from high school) organize a protest for youth rights, to lower the minimum voting age. After a global catastrophe strikes, the nature of the protest changes, and it steadily grows out of control, ultimately collapsing with little more than token reforms made. And it takes place in Tallahassee, capital of Florida. Needless to say, I wish the MSD students much better luck than the characters in my play.

So for the past week, these students, and the way people are reacting to them, and the way some people are trying to discredit them, and whether or not they’ll succeed, and the fact that most of them can’t vote, and the general perception of teenagers, have all been on my mind. I’m in Spain right now, and I so wish that I could be in my hometown of Tallahassee to protest in front of the capitol, or even just in Iowa City, where I go to school. I would love to throw my support behind these kids by physically marching with them, but I can’t. What I can do is post this.

If you can’t tell already, it’s a strange post. It’s not really about gun control, but rather about why we should listen to the kids campaigning for better gun control right now, and general misconceptions about the apoliticality of kids. My main purpose here is to provide insight into my personal understanding of young people, particularly high schoolers, re: politics—which should be a pretty solid understanding, given that I’m 20. So, here we go. The following is a segment of the Tallahassee Ca. 2045 afterword, adapted slightly for this post.


You could say that I fell in with the right crowd in high school. “Fell in” because, for the most part, I met them first as friends of friends, not through any shared extracurricular interest or from any effort on my part to meet new people. And “right crowd” not because they were straight-laced t-totalers or anything, but because they were incredible kids (and are incredible people, for that matter.) They were kids who talked about politics during lunch. Kids who talked about, and argued about, Ferguson and Santa Barbara and Syria, about Common Core and Jackie Pons and gay marriage, about dress code and rape culture and climate change. Kids who made up jingles about socialism. Kids who discussed gender and sexuality without the tied tongues of adults nor the giggles of less mature kids. Kids who participated in Model UN and Peace Jam and GSA. Kids (a few of them at least) who once went to the principal to ask that he improve the school’s nearly non-existent sex-ed. Very liberal kids all, some of whom had liberal parents and some of whom had conservative parents. Kids who were vegetarian and vegan. Kids who acted, kids who ran, kids who wrote, kids who played instruments, kids who spoke Spanish, a kid who spoke Portuguese, a kid who spoke Russian, kids who knew Latin (and who could speak it, though it’s Latin, so they mostly didn’t.) I don’t mean to give the impression that we were all just pundits or politicians—we of course did talk about other things, about teachers and homework, tattoos and vacations, books and movies, food and theatre—but these are the relevant points for this afterword.Read More »

Food Waste: Part 2 – Consumption and Solutions

Here’s the second, concluding part of my notes on food waste.

During Consumption

When thinking about food waste, it’s easy to just peg it to the value of the food. This past year was the first time I really had to buy my own groceries. Multiple times, I messed up and didn’t store food properly, or bought too much of it and didn’t eat it fast enough before it got moldy. So when I was throwing away half a bag of green-splotched bagels, my thought was, crap, that’s like two bucks just gone. However when I realize that the faucet has been running all day, I think, crap, that’s a waste of water and energy for water treatment, because I’ve internalized that as the framework to understand water usage. Food waste isn’t a problem because of the dollar value, it’s a bunch of energy expended for no reason at all. So, to throw another analogy at you, it’s not like buying a sword in a video game, and then losing that sword when you die, and having to buy it again. It’s like buying a sword in a video game, and then losing it when you die, and then having all of the assets and coding for that sword deleted from the game, so that the developer has to redesign it and release a patch so you can buy the sword again. I don’t participate in the production of food, so it didn’t hit home to me all the labor that I was throwing in the trash with those bagels—I only knew the value of it as a consumer.

It shouldn’t be surprising that in developed countries, about 30-40% of food waste occurs at the consumption level, which is everything from household meals to restaurants. In restaurants, there are the same problems as at supermarkets re: over-stocking and expiration dates. In households, most cases of food waste can be broken down into a few categories, as outlined in a study of 14 lower-middle income Brazillian families: “(1) excessive purchasing, (2) over-preparation, (3) caring for a pet, (4) avoidance of leftovers and (5) inappropriate food conservation. Several subcategories were also found, including impulse buying, lack of planning and preference for large packages.” So let’s break these down.

“Excessive purchasing” is exactly what it sounds like—buying more food than is need, and more food than can be consumed before it goes bad. Ironically, this over-purchasing is often the result of buying in bulk in an effort to save money, or taking advantage of sales or BOGO bargains even when the family already has enough of the product at home. So the savings may be negated by the amount of food wasted. Excessive purchasing is also linked to unplanned shopping excursions—going to the store without a list, as “Only two of the 14 families studied prepare shopping lists.” In a 2012 study on national shopping trends in the US, the Hartman Group found that 69% of women make a list before shopping at a grocery store, and only 52% of men do the same.Read More »

Food Waste: Part 1 – Production and Retail

And now, the synthesis of some notes I took on food waste while doing research for a story I’m writing.

Intro.

The United States Environmental Protection Agency defines food waste as “uneaten food and food preparation wastes from residences and commercial establishments such as grocery stores, restaurants, and produce stands, institutional cafeterias and kitchens, and industrial sources like employee lunchrooms.” Food waste can occur all throughout the life cycle of a food product, from before the harvest all the way to the dining room table. With the waste that happens at all these different stages taken into account, the percentage of wastage in the US is a pretty big chunk of overall food production. A 2009 study published in PLOS ONE estimates that 40% of food produced in America is wasted, and a 2014 report from the USDA Economic Research Service pegs the number at 31%. In terms of calories, that’s either 1,400 calories per person per day, or 1,249 calories per person per day, respectively.

Obviously, this is a problem. Food production is the dynamo that powers all of human civilization. If that dynamo is inefficient and losing 1.3 billion tons of fuel per year, that’s a problem. If that dynamo is inefficient and losing 1.3 billion blah blah blah, and all of those 1.3 billion tons of fuel took additional fuel and water usage to produce, that’s a really big problem.

To put it another way, the situation isn’t as simple as walking to the store, and taking a wrong turn, and wasting an hour of time being lost before you make it to the store. The situation is driving a gas guzzler/steam engine beast of a vehicle, and taking a wrong turn, and wasting an hour of time and of gas and water and whatever else powers this thing you’re driving before making it to the store. Sustainable farming practices are kind of another kettle of fish, but it’s important to note here that a wasted potato is not just a wasted potato. It’s also a waste of all the resources that went into making that potato, which, depending on what point of the process the potato is wasted at, could be pretty hefty. The UN Food and Agriculture Organization estimated that, for the year of 2011, the carbon footprint of global food loss—the amount of energy put into food that ended up wasted—was 4.4 GtCO2, “or about 8% of total anthropogenic GHG emissions [EC, JRC/PBL, 2012 Emission Database for Global Atmospheric Research, version 4.2]. This means that the contribution of food wastage emissions to global warming is almost equivalent (87%) to global road transport emissions [IPCC, 2014 Fifth Assessment Report. Chapter 8: Transportation].”

How do we arrive at such an enormous amount of wastage? That’s what most of this two-part series of posts will address.Read More »