With the TV adaptation’s release just two days from now, I’m rereading one of my favorite book series from when I was a kid—A Series of Unfortunate Events. Today’s post covers book three, The Wide Window.
“Book the third” of A Series of Unfortunate Events finds the Baudelaire orphans arriving at the house of their new guardian, Aunt Josephine. Aunt Josephine’s house is perched on the edge of a cliff (all but the foyer of the house is held up solely by stilts) above Lake Lachrymose, a lake filled with man-eating leeches. As always, Count Olaf shows up in disguise and concocts a plan to steal the Baudelaires’ inheritance. The book is full of Handler’s dark, gothic creativity, and the plot twists and turns in unpredictable and riveting ways. As I write this, I’ve already reread through book six of Unfortunate Events, and The Wide Window is probably my favorite of the early books.
That Leaves You with a Rattle
In my previous posts I’ve talked about how each of the main characters is somewhat defined by their particular skills—Violet invents, Klaus reads, and Sunny bites—and about how the story can sometimes feel contrived because of the way the orphans end up being presented with situations that require their specific skills. The Wide Window manages to subvert this trend to great effect. When the Baudelaires come to their new home, their Aunt Josephine presents each of them with a present. Violet is given a doll, Klaus a train set, and Sunny a rattle. The fact that the items are so incongruous with the orphans’ skills and interests subverts the reader’s expectations, and this subversion really accentuates the awkwardness of the situation. It’s a smack of reality after the perfect (at least before Count Olaf showed up) life that they had with their previous guardian. But the subversion continues.Read More »