A Series of Unfortunate Events is one of my favorite book series from when I was a kid, and I’m rereading through all thirteen books. Today I’m discussing the seventh book, The Vile Village. This post will contain spoilers for book seven and all the books preceding it, so if you do not want plot information given away then, in the words of Lemony Snicket, “you may prefer to do some other solemn and sacred thing, such as reading another [review] instead.”
The Vile Village is a turning point in A Series of Unfortunate Events. It falls in the exact middle of the thirteen-part series, and narratively speaking, it has one foot in the first half of the series and one foot in the second half. Just like all the previous books, the Baudelaire orphans are sent to live with a new guardian—in this case, an entire village standing in as a guardian, the Village of Fowl Devotees. VFD is governed by the Council of Elders, a group of old townspeople who have generated thousands of rules that must be strictly obeyed. And, the same as the last five books, Count Olaf shows up in disguise to steal the Baudelaires’ inheritance. The book ratchets up the stakes and the tension of all the previous books, in addition to having all the usual dark creativity, verbal gymnastics, and intriguing mysteries.
So, what separates this book from all the books of the first half?
Half and Half
Before I answer that question, I should first explain what I mean by “first half” and “second half.” This is a deeply ingrained framework in my head for understanding A Series of Unfortunate Events. The first half is books 1-6, and kind of book 7. The second half is books 8-13, and kind of book 7. The reason that book 7 doesn’t fall firmly into either category isn’t just because of the imperfect math—it’s because it shares characteristics with both halves. So hopefully I can take this opportunity both to highlight the transitional nature of The Vile Village and delineate the characteristics of the first and second half.Read More »