Rereading A Series of Unfortunate Events: The Reptile Room

With the TV adaptation just around the corner, I’m rereading one of my favorite book series from when I was a kid—A Series of Unfortunate Events. Today’s post regards book two, The Reptile Room, and it does contain spoilers for that book. As Lemony Snicket would say, if you don’t want plot information given away, “you are free to put this [review] back on the shelf and seek something lighter.”

And Speaking of Spoilers …

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Cover courtesy of HarperCollins

In this book, the Baudelaire orphans go to live with another distant relative, “Uncle” Monty, who studies snakes. Right as the orphans arrive, Uncle Monty is planning a scientific expedition to Peru, and he wants the orphans to come along. Eventually Count Olaf shows up disguised as Monty’s assistant, and schemes to steal their children’s inheritance once again—a scheme made easier by the death of Uncle Monty.

What’s interesting about this book is that it reveals the death of Uncle Monty as early as page 28—and not in some hint or euphemism, the narrator explicitly states, “It is Uncle Monty, unfortunately, who will be dead.” Mentioning this so far up front is important because it lets the readers know that, even though the main characters are having a good time in their new home, misfortune will strike again.

It also softens the blow of Uncle Monty’s death. The death of the caretaker is more disturbing than anything in the first book, because the children actually see his corpse (compare this to Harry Potter, wherein there’re no corpses until book four, more than halfway through the series.) It’s also more shocking to the reader than anything in The Bad Beginning, because unlike the parents who die in the first book, we actually get a chance to see Dr. Montgomery and get to know him before he dies. So knowing that it’s going to happen ahead of time takes some of the edge off the murder. It’s important to do that because this is only the second book of the series, and the first book where the guardian isn’t Count Olaf—the reader can’t have very clear expectations of how “unfortunate” these books will get, so the death of Uncle Monty establishes the tone, and severity of misfortune, for the entire series.Read More »

Rereading A Series of Unfortunate Events: The Bad Beginning

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Cover courtesy of HarperCollins

I’ve been wanting to reread A Series of Unfortunate Events for a while, and with the Netflix series premiering in just a week and change, now seems like a good time. So, leading up to Friday the 13th, I’ll be posting reviews of the first four books—the ones covered in the TV series. I could stop there, but as soon as I started reading the first one I was hooked, and I could easier stop drinking coffee than stop reading these books at this point. So I’ll keep posting reviews after that, I don’t know how often, but at least weekly.

The Only Series That Matters

I’ll start by explaining, why this series? Between the ages of six and ten, I read a lot of YA and middle grade books, and a lot of book series—The Underland Chronicles, The Inheritance Cycle, Magic Treehouse, the Alex Rider books, the Alfred Kropp books, Goosebumps, Animorphs, Captain Underpants, The Spiderwick Chronicles, and others. Some of these series I read all the way through, others I didn’t. But as far as I was concerned, A Series of Unfortunate Events and Harry Potter were the only series that mattered. There were no other books that I reread so often as the books in those series. They were the two pillars of children’s literature for me. Looking back on all the books I read as a kid, those are the only series I’m still interested in rereading—and, although Harry Potter was my favorite when I was a kid, Unfortunate Events is the series I now care about rereading most. The books introduced me to so many concepts, phrases, quotes, and words which have stuck with me to this day. Molotov cocktails, Friedrich Nietzsche, mob psychology, waxing and waning—but I’m getting ahead of myself. The point is, the series looms large in my childhood, and hopefully these posts will explain why, as well as illuminate other matters I find interesting along the way.Read More »

What I’ve Been Reading, November 2016

Lot’s of books about Vietnam, because I’m in a literature class called “Reimagining Vietnam.” So, here’s what I’ve been reading:

The Quiet American by Graham Greene – The Quiet American is a book narrated by Thomas Fowler, a jaded British journalist working in Vietnam during the violent overthrow of French colonialism. The American of the title is Alden Pyle, a representative with the American economic mission, who seems to have some greater role than he lets on.

The book’s plot is pretty interesting in it’s own right, mainly focusing on the growing relationship between Pyle and Fowler, and Pyle’s attempts to win the heart of Fowler’s Vietnamese mistress—but what I enjoyed most were all the questions it raised about being “engagé.” Fowler firmly believes in remaining neutral as a journalist, while Pyle is full of idealism, convinced that America can do good in bringing democracy to Vietnam—before the US even had a strong military presence there. The book was published shortly after the events described in it—before the “Vietnam War”—but the debates between Fowler and Pyle about the role of western powers in under developed nations have only become more and more relevant. What is the global role of a fading colonial power? What is the role of a rising superpower? At what point does inaction become action?

The book is a quick read, full of dry wit, vivid descriptions of the communist uprising, and terrific dialogue.

The Things They Carried by Tim O’Brien – Vietnam book number two. The book is a collection of short stories revolving around a platoon of American soldiers in the Vietnam War. Most of the stories are narrated by a fictitious version of the author. Some are short vignettes, some are longer, more traditional stories, and some are almost like personal essays, with choppy bits of story and pieces of argument or reflection mixed together.

The more traditional stories are all compelling. O’Brien does a masterful job of characterizing the soldiers and the landscape around them. The opening piece, “The Things They Carried,” is a long meditation on the physical and emotional burden of each of the soldiers, all their memories and personal totems. One of my favorites is “On the Rainy River”, which describes the narrator’s struggle deciding whether or not to dodge the draft. These types of stories, with their intimate depth of character and reflective tone, would be enough for me to highly recommend this book. What makes the collection really special, and something worth re-reading, is the inclusion of those more non-fictional pieces. Pieces like “Spin,” “How to Tell a True War Story,” and “Good Form” add another layer to the book, calling into question the truth of things, and the purpose of writing, and remembering, and telling war stories. And O’Brien did fight in Vietnam, so there’s another layer. The book is rich with experience and questions, an engaging read and one to remember, and keep thinking about, as well.

No Man’s Land by Duong Thu Huong – This book is great. It takes place in (surprise!) Vietnam shortly after the victory of the Communist forces, in a town called Mountain Hamlet. The action kicks off almost immediately when Mien, one of the three main characters, finds that her first husband has returned from the dead. She had married him just before he went off to war, and for over a decade he’s been presumed dead. In that time, Mien married an entrepreneur named Hoan, and had a child with him. But once her first husband, Bon, returns, she feels a social and moral obligation to become his wife again.

The strength of the book is the characters. The main characters are the members of the love triangle, Bon, Hoan, and Mien, but there are plenty of side characters that are just as interesting. Everyone has a backstory, with more depth and hardship hidden beneath the surface. Huong digs deep into all the characters, and all the settings, with descriptions that range from beautiful to horrifying. Everything is so well wrought, the characters and settings and backstories all leave deep emotional impressions on the reader. Of all the books I’ve read so far for my Vietnam class, this one is my favorite.

The Adventures of Huckleberry Finn by Mark Twain – As with many of Mark Twain’s books, this one is all over the place, in terms of tone and subject matter. Most of the time, it works, and the result is a book that is full of many different memorable characters and entertaining situations.

If you don’t know the plot already, Huckleberry Finn follows the Huck and Jim, a runaway slave, as they run away from their abusive father and their owner who plans to sell them down the river, respectively. They set off on a raft down the Mississippi, intending to take a turn around the south end of Illinois and head northeast, to the free states. The book is mostly composed of short episodes which occur as they travel down the river.

This is the strength of the book. These episodes are full of larger-than-life characters, like the Duke and the King—two conmen who board the raft as they’re being chased out of the town they just ran a grift on—or the Grangerfords and the Sphepherdsons—two families on opposite sides of a generations-old feud, whose cause know one can even remember anymore. Below the surface all the colorful characters and funny stories are issues of race, dominance, violence, mob mentality, religion, and, of course, slavery. The balance that Twain strikes between entertainment and substance is terrific and compelling, and it’s why the book is a classic. Unfortunately, the ending is (famously) underwhelming, and abandons the substance in favor of just entertainment, leaving all those issues unresolved and unacknowledged.

Regardless, the book is absolutely worth reading, and there’s a great audiobook of it, performed by John Greenman, on Librivox.

Harry Potter and the Holistic Review

Harry_Potter_and_the_Cursed_Child_Special_Rehearsal_Edition_Book_CoverI just finished Harry Potter and the Cursed Child, and I feel like it was one of the most multi-layered reading experiences I’ve ever had with a contemporary work. By multi-layered I mean that I was thinking about, and analyzing meta-textual elements while reading it—which is a common enough experience, when I’m reading old literature for my english classes, but pretty rare with recently published books and plays. So, rather than just reviewing the play as I might review Mr. Burns or Water by the Spoonful, I’m going to review the play in all it’s aspects—the things I noticed as a reader, as a writer, as a theatre person(ish), as a fan of the original books, and as someone interested in the publishing industry. I’ll mention plot elements throughout this post, so if you don’t want the play spoiled, halt now.

So, let’s begin.Read More »