My one act play Classic Cage is available in issue 3 of some scripts, their climate change-themed issue! The issue is available to read free for the next month, until June 11th, here. Here’s the synopsis:
Tara Cage is struggling to sell her next book. Publishers on Mars want another of her cheerful, optimistic Earth travelogues, the ones that made her so popular, but things have been getting bad on Earth. Climate change and economic upheaval have made Tara a lot more cynical, and sick of selling Mars a whitewashed version of her home planet. Her sister and literary agent, Michaela Cage, tries to grease the wheels with a potential publisher by getting a realtime FTL video connection between them on Mars and Tara on Earth. Unfortunately Tara’s internet connection has been screwy, making the video chat’s predictive AI patch over moments of lag with an AI version of Tara, compiled from calls made by Tara the last time she used it—which was twenty years ago. Between the upbeat, cheerful robo-Tara, and the true, jaded, bitter Tara, the publisher is getting mixed messages—though the AI seems to be making a better impression than Tara herself.
School’s back in, so what better time to read a play about the future of higher education and students arguing with each other?
You can buy Monastery on Smashwords or on Amazon. Here’s the synopsis:
A couple decades in the future higher education has evolved, and Academic Campuses (sometimes referred to as “monasteries”) offer an affordable, though longer and more intensive, alternative to universities. In this hour-long play, the student editors of the Marietta Academic Campus’s literary journal, The Mac, meet just before the start of summer to finish up the latest issue, and to celebrate their success. As the play continues, a hypothetical conversation about graduating early and starting up a magazine outside the monastery turns into a spirited argument.
As usual the publication includes an afterword. In this one I describe my own arguments with myself about college, and my outlining process for the play.
We’ll Tell Happy Stories is now available on Smashwords and Amazon!
The 70-minute play is about Boa and Ardom, two refugees posing as ambassadors. With the help of a local captain, they and their daughter have survived for years pretending that their home country, Choroa, is still perfectly stable. When a royal edict orders that all Choroans must leave the country or face enslavement, Boa and Ardom must reveal harsh truths and spin fanciful stories in order to convince their hosts that they should be allowed to stay.
The publication also includes an afterword describing how the classes I was taking at the time affected this play, the origins of some of the names, and other trivia you may find interesting.
You can read the first half of the play for free below.Read More »