Happy (one day late) Public Domain Day!!!! Yesterday, on January 1, 2025, works from 1929 entered the public domain, including William Faulkner’s The Sound and the Fury, Virginia Woolf’s A Room of One’s Own, and The Skeleton Dance! You can read more about the Public Domain and what’s entering it this year on the Duke Center for the Study of the Public Domain’s 2025 page.
As always, I’m celebrating by releasing one of my works to the Public Domain. Actually, a collection of works—this year I’m ceding a bunch of photos of Philadelphia I’ve taken over the past five years. I am going to try to upload them to Internet Archive and Flickr sometime soon, but I want to take the time to add useful metadata to them. So for now you can just look at them on this site, or download them in one big zip file. I have more ambitious plans for next year. For 2025, this is what I’ve got.
I also normally try to write a post about the public domain or something … yeah I got nothing this year. You can see all my previous posts about the public domain, and all the works I’ve ceded to it, here. Maybe read my 2021 post, “A Plea for Authors to Consider the Commons”, if you haven’t already. It’s relevant again because this year, four major publishers—Hachette, Penguin Random House, HarperCollins, and Wiley—won their suit against the Internet Archive, forcing the Internet Archive to end its practice of Controlled Digital Lending. Fortunately, the judge signed an order stating that the court’s decision only covers books which the publishers have made available as ebooks. So the Internet Archive can still practice Controlled Digital Lending of books which are otherwise not digitally available—and that’s a lot of books! It’s not such a bad outcome as it could’ve been. But fuck these publishers and fuck the AAP and fuck US copyright law and fuck Sonny Bono, forever.
Year in Review and Year to Come
Now, some quick non-public-domain-related notes.
It’s been a long year. I’ve been busy. Mostly writing this stupid novel. Novels suck. What an awful form to exalt. What did Borges say? “What laborious and impoverishing madness, composing vast books; developing an idea for five hundred pages whose perfect oral exposition fits in a few minutes.” [“Desvarío laborioso y empobrecedor el de componer vastos libros; el de explayar en quinientas páginas una idea cuya perfecta exposición oral cabe en pocos minutos.”] So I’ve gotten a lot done, but not much that’s in a ready, shareable state. Here are three cool things I put into the world in 2024:
- A new comic zine
- A video compiling clips of me biking in Philly from summer 2023 – spring 2024
- Third thing. Um. I wanted to have three but actually, that’s it. This stupid fucking novel
And here are three cool things I hope to put out in 2025:
- A halloween sadboy novella
- Another short story zine, or two
- A new short story in the April issue of Apex Magazine!
I’m very excited about that last one. The story, “I Remember a One-Sided Die,” will be my longest story to ever appear in a magazine—just over 7,000 words. So, look forward to that. Also, very soon I’ll release a big long post containing 40+ mini-reviews of movies I watched in 2024. And I’ll have another new year comic.
Okay happy new year happy public domain day here we go again another lap around the sun see you again soon!




That said, I am still releasing one of my own works to the public domain, as I have in years past. This year, that work is “ChannelCon ’30,” a novelette about “curators” who put together livestreams of public domain movies. Lindsey Xong and Amber Smith, two such curators, form the highly popular channel Amber Linz. Just like any popular curators, they go to ChannelCon, but quickly find the fans there divided into two sides engaged in an intense feud. As the Con falls into chaos, the two factions drive a wedge between Amber and Lindsey, and finding out who is behind the sabotage becomes crucial.
