What I’ve Been Reading, August 2016

Whew. It’s been awhile since I did one of these, but here goes.

Lagoon by Nnedi Okorafor – Lagoon is a book about Lagos, Nigeria, and what happens when aliens arrive there. It’s a sprawling portrait of the city, its people, its landmarks, and the ecosystem it was built around. It focuses most on three individuals—a marine biologist, a soldier, and a rap star, who all find themselves wandering out to the beach shortly after the aliens arrive, and being sucked into the lagoon.

The book has an enormous ensemble of characters, and still manages to have all of them distinct enough that you can keep track. It also does an excellent job of describing the city, which becomes even more important as the book goes on, and parts of the city literally come alive. The story twists and turns without a clear direction, but it’s a lot of fun following those twists, and the book is constantly introducing new and interesting characters and ideas. A testament to how well characterized everything in his story is—it’s been over three months since I listened to it, and I can still remember multiple characters and events that are only mentioned in a single chapter.

Also I listened to the audiobook of it, over the course of the long drive from Iowa City back to Tallahassee, and the narrators (a male and a female) are fantastic.

Seriously though, as I write this description, I keep remembering characters and details from the book, like the guys running 409 scams, and the rapper from Atlanta, and the fantastically entertaining and dislikable preacher. That’s because it’s awesome. Nnedi Okorafor is awesome. Check this book out.Read More »

The Absolute at Large – Chapters 29-30

The final chapters!

Chapter 29 – The Final Battle
As the war drags to a messy, underwhelming conclusion, it is difficult to determine where the final, and supposedly decisive, battle takes place.

Chapter 30 – The End
In an inn in Damohorskych, many years after the war, Brych, Binder, Jošt and Rejzek all gather for a fry-up.

Also available on Podomatic and iTunes.
Find the text of the ebook here.

This recording is under a Creative Commons attribution, noncommercial, share-alike license.
Music was composed by Johan Halvorsen and performed by the United States Marine Band.
The book was written by Karel Čapek, translated by David Wyllie, and performed by Francis Bass.

The Absolute at Large – Chapters 27-28

Just two more chapters after this!

Chapter 27 – A Pacific Atoll
The world war reaches the little island where Mr. Bondy has been hiding out, and he discusses the phenomenon with a captain who has stopped by.

Chapter 28 – Seven Chalets
In the Czech countryside, Mr. and Mrs. Blahouš and their neighbor Mrs. Prouza speculate about the Greatest War, and who and what started it.

Also available on Podomatic and iTunes.
Find the text of the ebook here.

This recording is under a Creative Commons attribution, noncommercial, share-alike license.
Music was composed by Johan Halvorsen and performed by the United States Marine Band.
The book was written by Karel Čapek, translated by David Wyllie, and performed by Francis Bass.

The Absolute at Large – Chapters 25-26

Chapter 25 – The Greatest War Ever (as they called it)
The chronicler explains why this war “really was, I swear it, quite easily the greatest war ever.”

Chapter 26 – The Battle of Hradec Králové
The chronicler uses the Battle of Hradec Králové, where the forces of General Hampl gathered to overthrow Mayor Skočdopole, as a reflection of world events on a smaller scale.

Also available on Podomatic and iTunes.
Find the text of the ebook here.

This recording is under a Creative Commons attribution, noncommercial, share-alike license.
Music was composed by Johan Halvorsen and performed by the United States Marine Band.
The book was written by Karel Čapek, translated by David Wyllie, and performed by Francis Bass.

The Absolute at Large – Chapters 23-24

Chapter 23 – Conspiracy in Augsburg
In the course of two months, all the nations of the world plunge headlong into war.

Chapter 24 – Napoleon of the Mountain Brigade
In the mountains of southern France, Lieutenant Toni Bobinet declares war on the Absolute, and begins a campaign of sprawling conquests.

Also available on Podomatic and iTunes.
Find the text of the ebook here.

This recording is under a Creative Commons attribution, noncommercial, share-alike license.
Music was composed by Johan Halvorsen and performed by the United States Marine Band.
The book was written by Karel Čapek, translated by David Wyllie, and performed by Francis Bass.

The Absolute at Large – Chapter 22

Chapter 22 – An Elderly Patriot
As Czech reporter Cyril Kéval and his fellow journalists wade through endless reports of minor conflicts, skirmishes, and riots from around the country and the world, Kéval happens upon a letter from an “Elderly Patriot” calling for national unity.

Also available on Podomatic and iTunes.
Find the text of the ebook here.

This recording is under a Creative Commons attribution, noncommercial, share-alike license.
Music was composed by Uzeyir Hajibeyov and performed by the United States Navy Band.
The book was written by Karel Čapek, translated by David Wyllie, and performed by Francis Bass.

The Absolute at Large – Chapters 20-21

Chapter 20 – St. Kilda
As tension rises around the world, a global summit is convened to maintain peace and order.

Chapter 21 – A Dispatch
A postman makes his way through a blizzard to deliver a telegram to a Mr. Marek.

Also available on Podomatic and iTunes.
Find the text of the ebook here.

This recording is under a Creative Commons attribution, noncommercial, share-alike license.
Music was composed by Uzeyir Hajibeyov and performed by the United States Navy Band.
The book was written by Karel Čapek, translated by David Wyllie, and performed by Francis Bass.

The Absolute at Large – Chapters 18-19

Chapter 18 – Night Time in the Editing Room
As religions and governments all over the world embrace the Absolute, Bishop Linda berates the editor of a Catholic Journal for continuing their invective against Him.

Chapter 19 – The Canonisation Process
The Catholic Church goes through the long, unprecedented procedure of welcoming the Absolute into the church as its God.

Also available on Podomatic and iTunes.
Find the text of the ebook here.

This recording is under a Creative Commons attribution, noncommercial, share-alike license.
Music was composed by Uzeyir Hajibeyov and performed by the United States Navy Band.
The book was written by Karel Čapek, translated by David Wyllie, and performed by Francis Bass.

The Absolute at Large – Chapters 16-17

Chapter 16 – In the Mountains
Mr. Bondy and Marek meet in Marek’s house in the mountains, where the Absolute’s influence has yet to reach.

Chapter 17 – The Hammer and the Star
The brothers of the Hammer and Star lodge of the Free French Masons meet to discuss their response to the recent activities of the Absolute.

Also available on Podomatic and iTunes.
Find the text of the ebook here.

This recording is under a Creative Commons attribution, noncommercial, share-alike license.
Music was composed by Uzeyir Hajibeyov and performed by the United States Navy Band.
The book was written by Karel Čapek, translated by David Wyllie, and performed by Francis Bass.

The Absolute at Large – Chapters 13-15

Chapter 13 – The Chronicler Apologises
The chronicler apologizes for his inability to describe every story and character caught up in the worldwide influence of the Absolute.

Chapter 14 – Land of Plenty
The chronicler describes the obscene abundance created by the Absolute.

Chapter 15 – Upheaval
The chronicler explains the disastrous affects of the Absolute’s overproduction, and how humanity was saved from total starvation.

Also available on Podomatic and iTunes.
Find the text of the ebook here.

This recording is under a Creative Commons attribution, noncommercial, share-alike license.
Music was composed by John Philip Sousa and performed by the United States Marine Band.
The book was written by Karel Čapek, translated by David Wyllie, and performed by Francis Bass.

The Absolute at Large – Chapter 12

Only one chapter today, because the next three chapters work well as a block, and I didn’t want to split them up. So, three chapters next Sunday, and just one chapter today—though it’s a very fun chapter.

Chapter 12 – The Private Tutor
The learned Doctor Balhouš sets out to write an academic paper regarding recent episodes of religious fervor and fanaticism, and does so all day long, and through the night.

Also available on Podomatic and iTunes.
Find the text of the ebook here.

This recording is under a Creative Commons attribution, noncommercial, share-alike license.
Music was composed by John Philip Sousa and performed by the United States Marine Band.
The book was written by Karel Čapek, translated by David Wyllie, and performed by Francis Bass.

The Absolute at Large – Chapters 10-11

Chapter 10 – The Blessed Elen
Mr. Bondy ponders the state of the world as he walks the streets, and has a chance encounter with his once love, Elen.

Chapter 11 – The First Conflict
A carousel fitted with a carburator becomes a divine sanctuary, and its owner a spiritual leader, but there is friction when the carousel starts touring near the holy dredger.

Also available on Podomatic and iTunes.
Find the text of the ebook here.

This recording is under a Creative Commons attribution, noncommercial, share-alike license.
Music was composed by John Philip Sousa and performed by the United States Marine Band.
The book was written by Karel Čapek, translated by David Wyllie, and performed by Francis Bass.

The Absolute at Large – Chapters 8-9

Chapter 8 – On the Dredger
A religious service is held on a boat fitted out with a carburator, and a large group gathers to hear the good word about the god of the dredger.

Chapter 9 – A Celebration
A journalist attends the grand opening of the Central Electricity Carburator, which will power all of Prague, and the Mayor gives a lengthy speech.

Also available on Podomatic and iTunes.
Find the text of the ebook here.

This recording is under a Creative Commons attribution, noncommercial, share-alike license.
Music was composed by John Philip Sousa and performed by the United States Marine Band.
The book was written by Karel Čapek, translated by David Wyllie, and performed by Francis Bass.

The Absolute at Large – Chapters 6-7

Chapter 6 – MEAS
As MEAS begins production of carburators, some concerns are raised at the company directors meeting, and GH Bondy tries to maintain order.

Chapter 7 – Go On!
Mr. Bondy and his general manager discuss the explosive growth and popularity of the carburators.

Also available on Podomatic and iTunes.
Find the text of the ebook here.

This recording is under a Creative Commons attribution, noncommercial, share-alike license.
Music was composed by John Philip Sousa and performed by the United States Marine Band.
The book was written by Karel Čapek, translated by David Wyllie, and performed by Francis Bass.

The Absolute at Large – Chapters 4-5

Chapter 4 – God in the Basement
Marek warns Mr. Bondy of the dangers of letting God into the world.

Chapter 5 – The Consecrating Bishop
Mr. Bondy and Marek meet with a bishop to discuss the holy site which the carburator has become.

Also available on Podomatic and iTunes.
Find the text of the ebook here.

This recording is under a Creative Commons attribution, noncommercial, share-alike license.
Music (the Montenegro national anthem) was performed by the United States Navy Band.
The book was written by Karel Čapek, translated by David Wyllie, and performed by Francis Bass.

The Absolute at Large; A recommendation and promotion

taal-pod-5

This book is awesome.

It is one of a few works by Karel Čapek that is in the public domain and has a translation (which you can read here) that is under a creative commons license. Karel Čapek was a Czech science fiction writer from the early 20th century. Today he’s most well known as the originator of the word “robot”—which he introduced in his 1920 play R.U.RThe Absolute at Large was his first novel, after he’d written some plays and short stories. It’s a novel that begins in a very familiar, classic sort of way—a businessman sees an advertisement for an invention, realizes the inventor is an old friend, and goes to pay him a visit. It turns out that this invention (called a “carburator”) is a furnace that consumes matter entirely. It destroys it on an atomic level, releasing massive amounts of energy, and leaving nothing behind—at least, nothing physical. This is where the story turns away from typical hard sci-fi, and goes ahead toward something fantastic.

The inventor, Rudolph Marek, says that he has been reading about pantheism—the idea that god is in everything. This theory explains why when people go near the carburator, they feel a sense of awe—of holiness—all around them. By destroying matter completely, the carburator not only releases energy, it releases God—or, the Absolute.

The book continues to follow Marek and G.H. Bondy, the businessman, as Bondy purchases the invention and gets his company to start mass-producing them. As carburators are installed throughout the world, more and more instances of miracles occur, and the people near the carburators grow more and more spiritually fanatic. Groups of worshippers and cult leaders spring up all around these carburators, and eventually the Earth throws itself into a world war much more fractured, vicious, and global than the first one.

The fact that the Absolute manifests itself in every aspect of society means that Čapek’s satire has free reign. The absurd fanaticism inspired by the Absolute is a way to look at actual fanaticisms with a critical eye—communism, capitalism, and nationalism being chief among them. The book is short, but it is epically satirical.

This book is awesome, and I am recording an audiobook of it. I’ll release episodes every Sunday and Tuesday, on youtube and on podomatic.

UPDATE: And on iTunes here.

I’ve already posted the first three chapters, and you can listen to those in the video below.

And while you’re waiting for more episodes, here’s a playlist of the music I plan on using, to get you in the mood. This is going to be fun.

What I’ve Been Reading, March 2016

Some theatre, some sci-fi, some sci-fi theatre. That’s what I’ve been reading.

100 Essays I Don’t Have Time to Write by Sarah Ruhl – The title pretty much explains the book. It’s a collection of one hundred partial essays, almost all of them about theatre. The immediate question that this raises is: why read a book that isn’t complete? And, if you’re looking to learn something, or be informed, or be totally and utterly convinced of something, this is not the book for you. But if you want to be stimulated and provoked, this book is terrific.

First of all, Sarah Ruhl has a fascinating mind. Almost every essay probes into some question or insight that I never would’ve come up with. And, because the essays don’t have to come to some grand point, and very often end with questions, I was left to further explore the topic on my own. The book reads very quickly, and I probably could’ve blown through it in one sitting if I didn’t keep stopping to think, and argue with myself about the ideas she raised in her essays. My only caveat is that I don’t know how interesting the book would be to someone who does not have some experience with theatre—as an audience member, as a performer, or even just as someone who reads plays. My advice for such a person would be: go experience some facet of theatre, and then read Sarah Ruhl’s 100 Essays. It’s fantastic.

If you’re still unconvinced, you can go to her website and read a randomly selected essay (or two, or five.)Read More »

What I’ve Been Reading, November 2015 (Dickens Edition!)

Here it is, another post about what I’ve been reading. Mostly Charles Dickens, because I have a lit class on him, and one other book that I mentioned awhile ago.

Little Dorrit by Charles Dickens – This is the second book we read in my Charles Dickens class, and it’s another massive one. It follows the story of the Dorrits—William Dorrit, the father, has spent decades in a debtor’s prison. His youngest daughter (“Little Dorrit”) was born in prison, and his son is constantly in and out of debt and the prison as well. At the same time, the book follows a few families in the aristocracy, among them Arthur Clennam—a middle-aged man without any direction in life, who befriends Little Dorrit. By interweaving the two worlds, Dickens satirizes the aristocracy as well as the British bureaucracy, and notions of gentility and wealth. While I enjoyed the humor of this one as much as I do with any Dickens novel, I was a little bored by the lack of agency these characters had. More often things happen to them rather than any of them doing things, and most of their actions are reactions. It was still an excellent character study, though not a book where I was eager to get to the climax.

Great Expectations by Charles Dickens- This book, on the other hand, develops the main character’s motivations very well. It’s clear that Pip, the poor, orphan protagonist, is striving to be a gentleman—and while this is a rather arbitrary, subjective goal, that’s the point, and it doesn’t make Pip any less compelling. He is by no means a purely good protagonist, and watching his corruption and challenges is fascinating. Really, almost all the characters are like this, and I loved seeing good characters make bad decisions, and bad characters reveal good intentions.

As usual, the book does a wonderful job satirizing gentility, but specifically life in the big city, London. This quote I particularly loved:

“We spent as much money as we could, and got as little for it as people could make up their minds to give us. We were always more or less miserable, and most of our acquaintance were in the same condition. There was a gay fiction among us that we were constantly enjoying ourselves, and a skeleton truth that we never did.”

I’d highly recommend the book. If you don’t have time to sit down and read it, this librivox version of it by Peter John Keeble is excellently performed, and I listened to it for some chapters.

A Tale of Two Cities by Charles Dickens – While this book doesn’t provide such a clear protagonist to latch onto as Great Expectations, the cast of characters and the development of setting is really engaging. The book is a grim look at the French Revolution and the Reign of Terror, showing the madness and bloodlust of the revolutionaries, and thrusting a family into the midst of it—and, of course, paralleling this to mob aggression in London. The family we follow is that of Alexandre Manette, once wrongly imprisoned in the Bastille. Also his daughter Lucie, and her husband, the emigrated French marquis Charles Darnay. A hundred other characters are attached to them as well, each working toward their own motivations.

I was captivated by this book. The fuse is long, but once it’s burnt down, the story really explodes. It’s the way that relationships and characters change and mirror each other throughout the book that makes it so interesting, and so entertaining. Like I said, there isn’t as much of a main character, so I didn’t enjoy it quite as much as Great Expectations, but it’s still an excellent read—and a particularly action-packed one for Dickens.

The Accidental Terrorist by William Shunn – The only non-Dickens book this time around. I mentioned this book earlier, when it was up for pre-order. Now, a few months later, I’ve read it, and it’s available in hardcover and paperback here. And I still recommend it.

The book is about sci-fi writer William Shunn’s experiences in Alberta, Canada, serving his mission for the Mormon Church. What I love is the combination of highly entertaining characters and stories with detailed information about the Mormon Church—its history as well as the its practices at the time Shunn was a missionary. I value any book that can give an up-close look at something most people only vaguely know about, and this book delivers for missionary work. Who knew some missionaries used golf balls to produce a crisper, louder knocking sound when proselytizing? I do, now.

And the other elements, the ones I’d look for in any fictional book, are there too. Shunn describes a wide range of missionaries—brown-nosers, slackers, sinners—showing a full picture of the Mormon church that isn’t just silly magic underwear or straight-laced morality. And, once the story really gets going, it’s incredibly compelling. Less so because I already knew it, but still entertaining, full of twists and tension.

So, that’s what I’ve been reading. I’ll probably talk about Don Quixote next, and the last couple Dickens books we’re reading. See you then.

Why Do I Keep Writing Science Fiction?

This is a question that nags at me a lot. Why do I almost exclusively write fantasy and science fiction? I normally try to challenge myself, writing in a format or style or length I’ve never written in before—and yet, I continually steer clear of realistic fiction. It seems childish.

One theory is that I’ve hardly lived at all, so I have hardly anything real to write about, and to fill that cavity I have to shove in gods and phasers. That might be part of it.

It’s not as though I’m actively avoiding it. Whenever I come up with ideas for stories, it happens that the ones that excite me are the fantasy ones. I can’t help what excites me, can I?

And then I realized that speculative fiction is just like all fiction, except the world is made up too. Simple, obvious even—I know. It’s the implications of this that got me really thinking.

As far as content goes, there are three elements of a story. Plot, setting, and character. Of course that’s totally simplified BS, but for the purposes of what I’m getting at here, this is how it is. In realistic fiction (or “fiction” as bookstores group it) the plot and characters are invented, but the setting is the same. In science fiction and fantasy books, world, character, and plot are all invented. And this is why I write science fiction and fantasy. I like to make up the world as well as the characters and plot. Why then is this type of fiction labeled differently in bookstores, if it’s just one degree more of made-upness? Totally superficial reasons, which I don’t know enough about to discuss here.

But let’s look at the actual differences. Having a book set in the real world does make for a different book—it’s not completely superficial. It changes the frame of reference, the immediacy, the way a reader processes a book. But the problem is, this is the case for more than just setting.

Why doesn’t a series like Foundation by Isaac Asimov belong to it’s own genre? The characters and world are made up, but the story is roughly modeled on the fall of the Roman empire, which makes for a different reading experience than if it was totally made up.

And what about a book like  Last Night in Twisted River by John Irving, in which his own life and total fiction are mixed together in every element of the story? The way that reality and fiction interact in that story, and in the real world, definitely effected my comprehension and enjoyment of the book.

And what about my own writing? Although it feels like I’m always writing fantasy, when I look at my work this way, I’m really all over the place. In three of my latest stories, one had an invented setting/partially autobiographical character/invented plot, another a partially real-world setting/invented characters/invented plot, and another an invented setting/invented characters/invented plot.

But as far as I can tell, the division in bookstores is this: invented setting/x character/x plot is one genre, real setting/x character/x plot is another genre, and real setting/real character/real plot is a totally different section of the building. There are other books that are divided out based on specific types of plots (like mysteries) or types of settings (like westerns), which is even more obviously superficial than the division between fiction and fantasy. And even with all this division, there may be more variation between two Fantasy books than between a Sci-Fi novel and a Mystery (which, to niche in this whole other can of worms, kind of reminds me of this.)

Like I said, I don’t know the history of these superficial divisions very well. I’m not trying to explain them, or understand them. I’m just rejecting their ideas that I’d unintentionally internalized, and presenting a more dynamic (though still very simple) way of looking at differences in stories. I’m just telling you why I don’t care that I keep writing science fiction.

What I’ve Been Reading, September 2015

Hey look! My first ever review-type post. Maybe I could review these book-by-book, and dedicate entire posts to each, but I don’t feel like it. Here’s what I’ve been reading.

The Restaurant at the End of the Universe by Douglas Adams – I have mixed feelings about this book. I loved Hitchhiker’s Guide to the Galaxy, and I was eager to see how the story would wrap up in this one. I’m not going to recap what these books are about, because you should already know, and it doesn’t matter.

Like the first one, the book is hysterical, full of wonderful pithy gems and subversive creativity. It’s also full of casual nihilism and comic brutality, which I so enjoyed in the first one. The repeated plot device of mortal peril was tiring though, and the randomness became dull. The characters are very reactionary, but don’t take action on any of their own desires (whatever those are, I couldn’t get a firm sense of it for any of them.) It’s definitely worth a read though, and I’m definitely going to read the next one some time—just not as solid as the first book.

Who Fears Death by Nnedi Okorafor – This book excels in every way I’d hoped, and in ways I didn’t even expect. The world is one I haven’t seen, complicated, surprising, and beautiful. Attempting to explain it wouldn’t do it justice, so I’ll just name three items found within it: camel racing, eleventh-year rites, and juju. The protagonist is terrific as well. There’s a tendency in fantasy books to have a Strong Female Character—and no matter how well developed, you can sense that the point of her is to be a Strong Female Character who Breaks Expectations. Onyesonwu, the protagonist of this book, is not that. She’s driven, arrogant, impassioned, and incredibly human. The book is in first-person, and her voice and personality are gripping.

The narrative, driven by that character, keeps a good pace, and twists and turns wonderfully. The book is a hero’s journey, but one that rebukes cliches, and feels fresh. On top of all this, the book is unrestrainedly honest. Even in a section of the book where Onyesonwu comes across a wholly different society, one that’s almost utopic, the sorcerer of the town is still a sexist. I adored this book from start to finish, and can’t wait to pick up more from Okorafor.

Dombey and Son by Charles Dickens – Dombey and Son is a difficult book to review, because it covers so much dramatic ground in its 900 plus pages. The books chiefly follows Paul Dombey, his son, and his daughter—Dombey being the head of the firm Dombey and Son—but there are a lot of other characters and subplots. Rather than tell you what it’s about (I’m not sure I could pin it down precisely), I’ll tell you that the book has both a shakespearean cast of characters and shakespearean plotting, wrought epically across 52 chapters, in which the most minor side-scenes and persons all eventually come to fruition.

Dickens’s style is, as with any classic writer, striking. At times it’s incredibly descriptive, at others dryly hysterical, and most often it’s both. The minor characters had me constantly laughing as well, while the major characters were compelling, and thoroughly examined. The treatment of these characters, their development, and the journeys they go on are as emotionally moving as the best written plays. Have I made enough theatrical references? It’s because this book handles characters as well as theatre does, which is as high a mark as saying a book handles action as well as a graphic novel does. There were certainly chapters that dragged, or twists I found a bit hard to buy, but overall I had a great time reading the book.

So, that’s what I’ve been reading. Since I read a ton of books at once, I’ve actually been reading more than this, but this is what I’ve finished recently. Next I’ll probably talk about Little Dorrit—another Dickens book—Foundation’s Edge by Isaac Asimov, and maybe Don Quixote by this obscure guy you’ve probably never heard of.